Anna Bromley
An artist, author, curator, and radio host. Anna Bromley develops exhibitions, installations, performances, texts, radio conversations, and plays. Her interest is aimed at breaches and interruptions in representative ways of speaking and talking. She lectures internationally on topics that feature feminism, radio spaces, and the body. https://www.annabromley.com/

Her artwork has been included in exhibitions at the German Museum of Technology, Berlin; nGbK, Berlin; HKW, Berlin; City Museum, Ljubljana; Thealit, Bremen; Villa Rosenthal, Jena; Galerie Carmelo Gonzalez, Havana, among numerous other cultural spaces. Her texts appear in German and English publications and concern the topics art + work, activism, sound, and can often critique contemporary art and artistic practices. She lectures at the Kunsthochschule fuer Medien Koeln, Art and Media Studies, and she also lectures on Gender and Queer Studies at the Universitat zu Koeln.

Nancy Buchanan
A Los Angeles based artist, Nancy Buchanan uses various media to bring social realities into view, while grounded in the observation of a lived history. She has been involved in numerous artists’ groups including The Los Angeles Woman’s Building and Los Angeles Contemporary Exhibitions (LACE); she has also acted as curator for several exhibitions and projects. She is the recipient of four National Endowment for the Arts Individual Artist grants, a COLA grant, and a Rockefeller Fellowship in New Media. Her performance, video, drawing and sculpture has been seen internationally. https://nancybuchanan.net

Her work has been shown in exhibitions internationally, notably at MOMA, MOCA, the Centre Pompidou, Getty Research Institute, and was included in four of the Getty-sponsored Pacific Standard Time exhibitions. From 1988-2012, Nancy taught in the Film/School at CalArts, where she has been awarded Emeritus faculty status and is represented by the Charlie James Gallery, Los Angeles.

Daphne Dragona
An independent curator and writer, Daphne Dragona is based in Berlin. Her exhibitions have been hosted at the real or virtual premises of Onassis Stegi, LABoral, Aksioma, EMST, Akademie Schloss Solitude and other institutions. Through her work, she engages with artistic practices and methodologies that challenge contemporary forms of power. Among her topics of interest are the controversies of connectivity, the promises of the commons, the challenges of artistic subversion, the instrumentalization of play, the problematics of care and empathy, and, most recently, the potential of kin-making technologies in the time of climate crisis. http://daphnedragona.net

Dragona was part of the curatorial team of the Transmediale festival (Berlin) from 2015 until 2019. From 2001-2007 she was the general coordinator of medi@terra festival (Athens). Articles of hers can be found in publications like Springer, Sternberg Press, and Leonardo Electronic Almanac, as well as in art magazines and exhibition catalogues.

Seda Guerses

Seda Gürses is currently an Associate Professor in the Department of Multi-Actor Systems at TU Delft at the Faculty of Technology Policy and Management, an affiliate at the COSIC Group at the Department of Electrical Engineering (ESAT), KU Leuven, and a member of Constant VZW, a Brussels based feminist arts collective. Together with Miriyam Aouragh, Helen Pritchard and Femke Snelting, Seda recently founded The Institute for Technology in the Public Interest.
http://vous-etes-ici.net/

Her work focuses on privacy enhancing and protective optimization technologies (PETs and POTs), privacy engineering, as well as questions around software infrastructures, social justice and political economy as they intersect with computer science. Seda is also a member and supporter of Alternatif Bilisim Dernegi, an association based in Turkey working on digital rights. She regularly blogs and participates in online discussions surrounding issues of privacy.

Mikala Hydig Dal
An artist and curator based in Berlin, Cairo and The Hague, Mikala Hyldig Dal examines visual cultures through video and text-based interventions. She embeds critical theory in immersive digital environments. She intersects artistic practice with political activism. Her practice is concerned with the connections between image production and the destruction of images (iconoclasm), processes of visualization and invisibility, and the structures of power created by images. http://cargocollective.com/mikala-hyldig-dal

A graduate of the Berlin University of Arts, her work has been presented internationally, including at the Martin Gropius Bau and House of World Cultures, Berlin; Townhouse Gallery, Cairo; Museum of Contemporary Art, Los Angeles; Nikolaj Kunsthal, Copenhagen; Flux Factory, New York and Azad Gallery, Tehran. She is the editor of the anthology “Images of Transition,” on art and activism in the Arab Uprisings of 2011 and she is a founding member of the feminist artist collective MATERNAL FANTASIES.

Alla Mitrofanova
The founder of the Russian Cyberfeminist community, Alla Mitrofanova is a Russian art critic, media-philosopher, media art curator and eminent feminist scholar. Her work has emboldened cyberfeminism in Russia since the early 1990s. Her text, “Looking for ‘Information’, ‘Subject’ and ‘Body’ from the Metaphysics to the Present,” is published in the First Cyberfeminist International reader. Her text “Cyberfeminism, History, Practice, and Theory” (2010) is included in the collection “Feminism Art Theory: An Anthology 1968–2014” (2015). https://www.digitalicons.org

Alla has participated in artist talks and presentations at various international events, including Documenta and the Ars Electronic festival in Linz, Austria. She is a curator of the Philosophical Café, and for Gallery 21, St. Petersburg. She is the organizer of the translation seminar for Karen Barad’s book “Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning.”

Lisa Rein
An artist researcher and designer based in Berlin, Lisa Rein graduated from Aalto University, Helsinki’s department of New Media, with a minor in Visual Culture, Curating and Contemporary Art in 2021. Their Master’s Thesis, “On the Sociocultural Implications of the Computational—Dirty Computers,” reveals the depth and analytical focus made more poignant by the Covid-19 pandemic. Their work ponders questions of digital media infrastructures, codes, language, and emancipatory practices. https://aaltodoc.aalto.fi

A participant in the Creative EU project Beyond Matter—Cultural Heritage on the Verge of Virtual Reality (2020-2023), they worked with the Tirana Art Lab, and were involved in the development of a virtual archive of artworks that have been or are currently present in Tirana’s public space. They currently teach at the University of Applied Science (HTW), Berlin, and they will assist at the Digitale Welten Festival for young people in Frankfurt, Germany.